So, is it good? Maybe. I certainly enjoyed myself. But I couldn’t help but feel that Scott Pilgrim succeeded in all of the ways that I expected it to fail, and failed in all of the ways that I expected it to succeed.
When a politician changes their mind, they are labeled a “flip-flopper” and are thus incentivized to stick to their ideological guns, evidence and personal growth be damned. I, however, harbor no such limitations, and it is in this spirit of personal fluidity that I change my favorite things quite frequently. I recently discovered and read what is my current favorite book, and I have been dying to get the time to share it with you here.
It’s two books, actually. Two books, seemingly unrelated, but like peanut butter and chocolate, they combine two great flavors to create not just Candy for Breakfast, but Reese’s Puffs Cereal! Except for your brain’s taste buds. Or something.
Anyway. I will extricate myself from this sticky swirl of a digression and deliver to you a literary combination that the painfully hip employees at the University Bookstore seem to be unaware of, given their generally uninspired shelf of Staff Recommendations.
I can’t be too harsh, though. It’s rare to find a long collection of fictional stories like The Years of Rice and Salt that can pair so well with a dense, data-enriched non-fiction book like Guns, Germs, and Steel. But here are two book so grounded, yet so grand and ambitious, that they can’t help but enrich each other in fascinating ways. (more…)
It’s easy to pull apart and examine films that aren’t great. How to Train Your Dragon, for example, was a decent, though not spectacular, family-oriented animated romp. Its visuals were great, though lacking the polish of a Pixar film, and its story was cute enough, but it dragged somewhat to start and could’ve had a stronger script. C+, B- is its final score, in my opinion.
On the other hand, approaching a film like Kick-Ass, a film so superbly crafted, so incredibly choreographed and so wittily incisive, is a tall order. Where do I start? Do I focus on its excitement, its beautifully bad-ass fight scenes that pit interesting, flawed, yet relatable heroes against shrewd enemies? Should I instead choose to focus on its commentary, the brainy aspects behind its perfected pugilism, and laud the fact that it examines and challenges the idea of vigilante justice in a similar way as Watchmen? Or maybe I should begin by talking about its quasi-realistic, Tarantino-esque style that intermixes images of brutal violence with the fantasy of superheroism?
I suppose that the most succinct way for me to communicate how I felt about Kick-Ass is to say that I’ve seen it three times, and believe that it was well worth it. It takes what I thought were the most interesting parts of Watchmen, namely the critical examination of normal people acting as a vigilante, costumed superheroes, and throws away all of the “inside baseball” type comic industry and culture trappings that make Watchmen somewhat difficult for non-fans to understand and take seriously. If you have any interest in watching an exciting action movie with interesting characters, you should definitely check it out.
In an entirely unrelated observation, anthypophora is so useful, rhetorically.
This update adds
- More speed improvements when reading books
- A more robust Wi-Fi manager
- Interactive Sudoku and Chess games
- A beta version of a web browser
This is the most encouraging software update to the Nook yet. When I first heard about the Nook and thought about how a color touch screen interface would be utilized by an e-reader, I imagined that the touch screen would be used like a window into the e-paper screen. It could be used to display small sections of whatever is displayed on the top screen, presenting the user with a scrollable, touchable interface to make selecting words for highlights, notes, and reference simple and easy.
Of course, when the Nook shipped, it didn’t do this it all. Instead, it had a kludgy interface where a virtual D-Pad appeared on the bottom screen to control a cursor on the top screen that moved about as slow as a molasses.
This update doesn’t fix this.
But what this update does do is show that at least one person doing software development for the Nook platform understands this idea. When surfing the web in the Nook’s new web browser, the bottom screen behaves in exactly the sort of way I described above. The top screen shows a black and white image of the entire page, and features a selection box exactly the size of the bottom screen overlayed on the web page. By scrolling with their fingers, the user can move this viewing box over the web page, and its contents are shown, interactive and in full color, on the Nook’s touch screen.
Playing games is done in a similar way. Again, the touch screen shows a sliver of the top screen’s action, and the user can smoothly scroll the view, allowing full and direct interaction with what is displayed on the top screen.
So while this update doesn’t add these same sorts of features to reading e-books for interacting with text, it is good to see that the Nook team is working on the problem and that they actually do understand exactly what the touch screen interface can do for them. It’s clear to me now that, in the long run, the Nook is the better choice for people interested in investing in a dedicated e-reader platform.
For those interested, I’m currently reading The Years of Rice and Salt.
Ryan showed me this cool music video.
I think it’s really well done! It reminds me a lot of the game Machinarium (which I reviewed at Geeky Pleasures). In fact, Jakub Dvorský of Amanita Designs, creators of Machinarium, worked on an upcoming Czech film made with puppets. This is the trailer.
It’s fun to see puppets used in such awesome and creative ways!
I just read Roger Ebert’s latest.
My addition to the cultural dialog:
If a bunch of people can get together with a stage, a set, a director, some lights, a script, and some imagination and make art, then why is it’s art-ness suddenly nullified when the director invites every member of the audience to play the starring role?
Here’s a photo gallery of the first 10 people that popped into my head when I thought of gaming’s auteurs.
For each of these men and women, I can say, without a doubt, that I interpret the world differently after having interacted with their work.
And for that, I thank them.
My friend Eli has gotten into fountain pens recently, going so far into pen fandom that he has become an extremely active member of the Fountain Pen Network, posting pen unboxing photos and lengthy reviews. I just so happened to be hanging out with him when he received a couple of new pens that feature a unique filling system. Check out this video.
As for me, my pen of choice is the Kaweco Sport, with Diamine Emerald ink.
After months of feeling like a lonely cosmonaut left on his own to care for an interplanetary fueling station, I found out today that my boss has finally hired more people to fill my position at work. After they’re trained and in place, it’ll only be a matter of time until I get promoted to Gates, a position I’ve been trying to get for a year.
In similarly happy news, after what seemed like months, I got my Segway PT back from repairs.
So double yay.
The Conservatory of Flowers in Golden Gate Park has a special exhibit right now set up by the Bay Area Garden Railways society. It’s a model train layout of famous San Francisco landmarks, and all of the buildings are made out of recycled materials, like computer floppy disks, old milk crates, bottles, circuit boards, cereal boxes, and light fixtures. Here are some photographs that I took of the layout, and of some of the flowers in the Conservatory.
How wretched you are, Writing!
Page upon page will never endure,
But ten lines can last forever.
A verse on a scrap can wrench hearts and minds
While gold trimmed volumes might warp only shelves.
A poor sculptor’s work is forever a thing
An ugly tchotchke on a loved one’s mantle.
But a writer’s failure has no grip on the world.
Where can I find the purity to write for Eternity?
Or must I find the courage to face sure obscurity?